What If Every Panel Could Tell Its Own Story? | Weave of Life


I've been thinking about what's missing.

Not from the panels themselves, but from the experience of standing in front of one. You can see the encaustic wax, the reclaimed fabric, the botanical impression pressed into the surface. What you can't see is where the fabric came from, or when the panel was made, or the story behind where the material came from.

That's the part I want to give you.

Here's what I've been imagining: a small chip embedded in each panel, the kind you can tap or hold your phone near, that opens a page that tells you more. The panel's name. The materials in it and where they came from. The story of when it was made and what it holds. Photos of the process. Maybe video, when I have it.

Every panel in Weave of Life already has a story. Most of those stories exist only in my studio notes or in my memory. The NFC chip idea is about making those stories accessible, not just to the people who collect the work, but to anyone who encounters it in an exhibition, a library, a community space, anywhere the panels travel.

Imagine standing at ArtPrize in front of 300 panels and being able to tap any one of them and immediately know: this panel was made from a fabric sample that would have gone to a landfill. This one holds an impression from a honeycomb left behind by bees who moved into a house the week it was being sold. This one was made during a week when I was producing 8.6 panels a day in a living room in Fort Wayne, Indiana, because the work couldn't wait for the right studio.

That's the experience I want to build.

I don't have the full technical picture yet, there's research to do on how the chips work, what infrastructure is needed to host the panel pages, and what it costs to do this at the scale of 700 panels. But I know what I want someone to feel when they tap a panel and a story opens on their phone. I want them to feel like they just learned the name of someone they'd been looking at across a room.

This is one of the next chapters for Weave of Life. If you'd like to support the project's next phase, be part of making this happen, or simply follow along as it takes shape, I'd love to hear from you.

Reach out at nancy@nancyfritzart.com or subscribe if you aren't already following the journey.

Weave of Life Project: In Progress

Weave of Life is an evolving, living project—growing panel by panel, story by story. This space offers a glimpse into the process as it unfolds: from early material gathering and studio moments to community contributions and new installations. You’re invited to follow along as the work develops and to see how memory, nature, and community connection are woven together over time. Subscribe to get updates directly to your e-mail! For project details visit: https://www.nancyfritzart.com/weave-of-life

Read more from Weave of Life Project: In Progress
Aquatint etching panel showing water from underneath — a college proof from fifteen years ago, now part of Weave of Life. Nancy Fritz.

I am a hoarder of materials. Not in a chaotic way. In the way that an artist who grew up feeling like nothing should go to waste keeps things carefully, in flat files and portfolios, for reasons that aren't always clear at the time. Just in case. Just because throwing them away felt wrong.These are from college art school. More than fifteen years ago. They're print proofs from an etching class, specifically from a piece I made called For the Greater Good. I made them on copper plates using a...

Custom laser-cut cardboard trays stacked and taped, ready to transport 310 Weave of Life panels to ArtPrize 2026.

Last week I crossed 400 panels. Just over 300 of them are going to Grand Rapids. I've been spending the last week creating packaging to get them there safely. Here's what I built: custom laser-cut trays sized to hold each panel snugly in place, with the panel shapes cut into the cardboard itself. Each tray gets a backer board, layer of glassine paper against the surface, then a sheet of foam padding, then cardboard on top. The whole tray gets taped closed and stacked into a larger box for...

Huxtable, Nancy Fritz's senior studio dog, sleeping peacefully on a paw print blanket on the floor of the new shared studio space at Studio Vwazen in Fort Wayne, Indiana. Art supplies and studio equipment are visible in the background.

There comes a point in every growing project when the project starts making decisions for you. For the past several months, Weave of Life has been growing in our apartment living room. My encaustic painting table in one corner, the Glowforge on a folding table by the window, materials stacked along every wall, and Huxtable, my old grumpy studio dog, holding down the one small couch. It worked. The panels kept coming. But somewhere along the way, Charlie and I stopped being able to move...